Yi-Chien is a South California based set designer working among theatre, film, and dance. Originally raised in Taiwan, she is deeply influenced by the concept of multiculturalism, which evokes her interests in how the processes of colonization and nationalism experience have gradually developed into a sense of cultural identity.
She has been accumulating design credits in Taiwan and US. Currently, as a San Diego based artist, she has worked with the local leading theatre including Old Globe Theatre, Diversionary Theatre, San Diego Rep Theatre and Cygnet Theatre. She received B.A. at National Taiwan University and MFA Scenic Design in UC San Diego. Her work for Moon drunk has been selected for Emerging Artist/Imagination Exhibit in 2019 Prague Quadrennial
When her work crosses a spectrum of traditional Shakespeare classic, pop-culture musical, Asian new play to multimedia new technology theater, she is always seeking opportunities to create a diverse vision and provide new perspectives to the productions.
Recent scenic design projects include THE GREAT LEAP (Cygnet Theatre), THE WINTER'S TALE (The Old Globe, globe for all), GIRLFRIEND, A KIND OF WEATHER, PLOT POINTS IN OUR SEXUAL DEVELOPMENT (Diversionary Theatre, San Diego), EURYDICE (Open Wings Theatre), CODE: CYTUS (Divertimento Media, Shanghai), EVERYBODY BLACK (UCSD), TRUE OR DARE (MOD short film), YOU TUBE (Deadend Flowers, Taipei).
李宜蒨，為自由接案的劇場舞台美術設計，畢業於加州大學聖地牙哥分校戲劇與舞蹈研究所(UC San Diego Theatre and Dance Department)，師承知名百老匯舞台設計師Robert Brill，主修劇場舞台設計。現居加州聖地牙哥，從事戲劇、舞蹈舞台設計以及劇場影像設計。
近期與聖地牙哥當地劇團皆有合作，其作品也於Broadway World、Times of San Diego、San Diego Union Tribune等報導平台上得到正面迴響。2019年，其舞蹈設計作品Moon Drunk入選布拉格劇場四年展，代表美國新銳設計師參展。目前嘗試跨足展場及各類跨界空間設計，並且以設計助理參與多部音樂劇製作，包括《Summer: The Donna Summer Musical》、《Ain't Too Pround》等。
2019 Prague Quadrennial - selected for Emerging Artist/Imagination Exhibit from the USA
SASEK Design Scholarship - Recipient of UC San Diego MFA scholarship from 2016-2019
San Diego's most inspiring story: Meet Yi-Chien Lee
SD VOYAGER | Jun. 29, 2020
Interview: How set designer Yi-Chien Lee wows audience with theatrical artistry
ODYSSEY By Camilla 5 | Apr. 29, 2020
Basketball is both the reality and the metaphor of the play. Yi-Chien Lee has designed the set as a basketball court, with raised hoop, hardwood flooring, and basketballs displayed at the ready. Her work is clean, sharp, fresh, and nothing like any set I’ve seen at Cygnet previously.
SAN DIEGO STORY By Bill Eadie | Jan. 28, 2020
...... via Blake McCarty’s vivid projections, Minjoo Kim’s dynamic lighting and Melanie Chen Cole’s well-calibrated sound — capture a compelling game-day vibe on Yi-Chien Lee’s basketball-court-style set. Each side of that set is framed by a grid of 18 balls; 18, it turns out, is also the maximum number of years that a solid hoops career can last, according to Saul (Manny Fernandes), the story’s comically obnoxious American coach.
THE SAN DIEGO UNION-TRIBUNE By James Hebert | Jan. 27, 2020
The set by Yi-Chien is equally homey and simple, with moveable beds, and moveable cubes, allowing the performers to shine through.
When Mike and Will sing along to “We’re the Same,” it’s clear their sense of synchrony goes a lot deeper than the Cure posters that adorn both of their bedrooms (on Yi-Chien Lee’s lovingly detailed, split-location set).
PACIFIC By James Hebert | Sep. 23, 2019
Interesting wood-slatted set by Yi-Chien Lee, both fairly self-involved at the moment, Kid is still angry at his father, and Grey can’t begin to understand Kid’s life, his transition or his desire to write a memoir at his young age.
TIMES OF SAN DIEGO By Pat Launer | Feb. 16, 2020
The production is also strong. Yi-Chien Lee’s scenic and props design follows the style of her successful design for Diversionary production of Girlfriend.
SAN DIEGO STORY By Bill Eadie | Feb. 18, 2020
Out of the blue, Grey spontaneously decides to surprise Kid with a visit to his Brooklyn apartment (which is vividly represented by Yi-Chien Lee's wooden set).